The Leopard — cinematic still
War & History

The Leopard

Film · 1963 · Directed by Luchino Visconti · Burt Lancaster, Alain Delon, Claudia Cardinale

Original interpretation — not a still from the production

Everything must change so that everything can stay the same.

The Continental Verdict

Essential

Visconti, an aristocrat filming the end of aristocracy, spends forty-five minutes on a ball and earns every one of them. Lancaster's Prince Salina understands before anyone else in the room that his class is finished, and carries the knowledge with a courtesy that is almost unbearable.

It is a historical epic that contains almost no history — only heat, dust, dynastic arithmetic and one long night of dancing. The restored print is among the most beautiful objects in cinema.

Why Watch It

The finest film ever made about status, succession and knowing when your era has ended.

The Gentleman Factor

Salina's dignity in decline is the highest standard the canon offers.

Look Out For

  • The ball, in full
  • The dinner at Donnafugata
  • Lancaster walking home alone at dawn

The Locations

Palazzo Valguarnera-Gangi in Palermo and the Sicilian interior in high summer.

More from the travel pages →

The Cars

Carriages only — and better for it.

More from motoring →

The Wardrobe

Piero Tosi's tailcoats and uniforms; the ball gowns alone are a museum exhibition.

More on style →

The Soundtrack

Nino Rota, with a Verdi waltz recovered from the archives.

Into the music room →

Watch Next

Where to Watch

Criterion; insist on the Italian-language cut.

For the Collection

Also in War & History

SicilyViscontiAristocracy

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