The Godfather — cinematic still
The Criminal Gentleman

The Godfather

Film · 1972 · Directed by Francis Ford Coppola · Marlon Brando, Al Pacino, Robert Duvall

Original interpretation — not a still from the production

A film about a family business, which happens to be murder.

The Continental Verdict

Essential

Everything said about it is true, so we will confine ourselves to one observation: it is the great film about succession. Michael does not fall into the family trade; he is drawn in by competence, and competence is the most dangerous quality a young man can possess.

Gordon Willis's photography — those tan-and-shadow interiors, faces half-lost above the desk lamp — remains the most imitated look in American cinema and has never been bettered.

Why Watch It

Because the boardroom scenes of every prestige drama since are footnotes to this one.

The Gentleman Factor

Study the manners, not the methods. Vito's courtesy is a tool of control.

Look Out For

  • The wedding, shot like documentary
  • The Sicilian interlude
  • The final door

The Locations

Staten Island, Little Italy and the Sicilian villages of Savoca and Forza d'Agrò.

More from the travel pages →

The Cars

1940s Packards and Lincolns, all correctly weathered.

More from motoring →

The Wardrobe

Anna Hill Johnstone's tailoring charts Michael's descent from Ivy League service uniform to double-breasted darkness.

More on style →

The Soundtrack

Nino Rota, again — the most recognisable eight bars in film music.

Into the music room →

Watch Next

Where to Watch

Prime Video; the Coppola Restoration disc set.

For the Collection

Also in The Criminal Gentleman

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