Purple Noon — cinematic still
Continental Cinema

Purple Noon

Film · 1960 · Directed by René Clément · Alain Delon, Maurice Ronet, Marie Laforêt

Original interpretation — not a still from the production

Delon, twenty-four, sunburnt and entirely without conscience.

The Continental Verdict

Highly Recommended

The first Ripley, and the more sensual one. Clément shoots the Bay of Naples in a heat so convincing you can feel the deck varnish softening. Delon is impossibly beautiful and utterly unbothered, which makes the film's amorality far more disturbing than Minghella's guilt-ridden version.

The yachting sequences alone justify the evening — canvas, brass, salt, and two men who have run out of things to say to one another.

Why Watch It

The best-looking crime film of the French New Wave's margins, and the definitive Delon performance.

The Gentleman Factor

Nothing to emulate morally; everything to emulate in how he wears a shirt with the sleeves pushed up.

Look Out For

  • The fish-market sequence
  • The murder at sea
  • The final shot on the beach

The Locations

Ischia, Procida, Naples and Rome, all before mass tourism.

More from the travel pages →

The Cars

A Fiat 1100 and a beautiful wooden sloop doing the heavy lifting.

More from motoring →

The Wardrobe

Sun-bleached cotton, rope-soled shoes, the least self-conscious summer dressing on film.

More on style →

The Soundtrack

Nino Rota, in a rare restrained mood.

Into the music room →

Watch Next

Where to Watch

Criterion Blu-ray; occasionally streaming.

For the Collection

Also in Continental Cinema

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