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The Jazz Room

Excellent jazz, no homework required.

Chet Baker, Miles, Bill Evans, Peterson, Getz, Brubeck, Coltrane, Ellington — with instructions on when and where to play them.

  • Bill Evans Trio — Sunday at the Village Vanguard

    Sunday at the Village Vanguard

    Bill Evans Trio · 1961

    Three men listening to each other more carefully than most people listen to anything.

  • Miles Davis — Kind of Blue

    Kind of Blue

    Miles Davis · 1959

    The one everybody owns, and the one everybody is right to own.

  • John Coltrane — A Love Supreme

    A Love Supreme

    John Coltrane · 1965

    John Coltrane's spiritual journey, realised in four movements of unparalleled intensity and devotion.

  • Bill Evans — Waltz for Debby

    Waltz for Debby

    Bill Evans · 1961

    Recorded live at the Village Vanguard, Bill Evans’s 1961 masterwork captures a moment of sublime interplay, a profound dialogue between piano, bass, and drums that has since become the gold standard for the modern jazz trio.

  • Thelonious Monk — Brilliant Corners

    Brilliant Corners

    Thelonious Monk · 1957

    Thelonious Monk's 1957 opus, a landmark recording that redefined the boundaries of modern jazz composition and improvisation, offering an intricate and essential listen.

  • Duke Ellington — Ellington at Newport

    Ellington at Newport

    Duke Ellington · 1956

    The Duke’s triumphant return, a live performance at the 1956 Newport Jazz Festival that reinvigorated a legendary career and captured a pivotal moment in jazz history.

  • Louis Armstrong & Ella Fitzgerald — Ella and Louis

    Ella and Louis

    Louis Armstrong & Ella Fitzgerald · 1956

    The unforced elegance of two vocal titans, Louis Armstrong and Ella Fitzgerald, as they find a natural, swinging rapport across an album of American standards.

  • Ella Fitzgerald — Ella Fitzgerald Sings the Cole Porter Song Book

    Ella Fitzgerald Sings the Cole Porter Song Book

    Ella Fitzgerald · 1956

    The First Lady of Song takes on the urbane wit of Cole Porter, setting the standard for the vocal album.

  • Sarah Vaughan — Sarah Vaughan with Clifford Brown

    Sarah Vaughan with Clifford Brown

    Sarah Vaughan · 1954

    The collaboration that solidified a legend: Sarah Vaughan and Clifford Brown’s incandescent 1954 recordings.

  • Nina Simone — I Put a Spell on You

    I Put a Spell on You

    Nina Simone · 1965

    The High Priestess of Soul, Nina Simone, at her most commanding and vulnerable, exploring the intoxicating power of love and obsession through a masterful blend of jazz, blues, and pop. A definitive vocal performance from 1965.

  • Ibrahim Maalouf — Diagnostic

    Diagnostic

    Ibrahim Maalouf · 2011

    Ibrahim Maalouf’s trumpet, at once soaring and deeply resonant, finds its fullest expression in this compelling exploration of identity and heritage.

  • E.S.T. (Esbjörn Svensson Trio) — Viaticum

    Viaticum

    E.S.T. (Esbjörn Svensson Trio) · 2005

    The Esbjörn Svensson Trio’s 2005 album, Viaticum, offers a propulsive, at times meditative, and always inventive take on the jazz trio format, cementing their place as leading lights in contemporary European jazz.

  • Tony Bennett — I Left My Heart in San Francisco

    I Left My Heart in San Francisco

    Tony Bennett · 1962

    The Voice of San Francisco: Tony Bennett’s enduring tribute to a city and a standard.

  • Mel Tormé — Mel Tormé Swings Shubert Alley

    Mel Tormé Swings Shubert Alley

    Mel Tormé · 1960

    Mel Tormé interprets the golden age of Broadway with sophisticated panache, transforming theatrical classics into elegant jazz standards.