The Remains of the Day — cinematic still
Power & Money

The Remains of the Day

Film · 1993 · Directed by James Ivory · Anthony Hopkins, Emma Thompson, James Fox

Original interpretation — not a still from the production

A lifetime of impeccable service, and the one conversation he never had.

The Continental Verdict

Essential

Merchant Ivory's finest hour, and the most painful film in the canon. Hopkins's Stevens has organised his entire existence around dignity, which he has confused with silence. The house runs perfectly. The man does not.

It is also the best depiction of how a great English house actually functioned — the below-stairs choreography, the silver polished to a standard nobody upstairs will notice, the politics conducted over port by men who were catastrophically wrong.

Why Watch It

The definitive study of duty, restraint and the cost of both.

The Gentleman Factor

Every lesson in service and self-command, plus one enormous warning.

Look Out For

  • The silver-polishing sequence
  • The book Miss Kenton takes from his hands
  • The bus stop

The Locations

Dyrham Park, Powderham Castle, Badminton House and Corsham Court.

More from the travel pages →

The Cars

A Daimler on wet Devon lanes.

More from motoring →

The Wardrobe

Butler's tailcoat and the tweeds of a man borrowing another man's status for an afternoon.

More on style →

The Soundtrack

Richard Robbins's restrained, aching score.

Into the music room →

Watch Next

Where to Watch

Prime Video; the Sony 4K restoration.

For the Collection

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