French Style

Released in 1962, Dean Martin’s "French Style" finds the American crooner navigating a repertoire of Gallic standards with a characteristic effortlessness. While not the first nor the last American artist to tackle the chanson, Martin imbues these selections—many already familiar to Anglophone audiences through various translations—with a distinct blend of nonchalance and genuine warmth. Arranged by Dick Reynolds, whose work here is subtle yet supportive, the album eschews dramatic reinterpretation in favour of a respectful, if distinctly Californian, homage. It is a testament to Martin's singular vocal charisma that he manages to make these songs his own, even when stepping into the well-trodden territory of Edith Piaf or Charles Trenet. The result is not an exercise in linguistic perfection, but rather an evocation of a mood, a sophisticated yet relaxed encounter with a revered musical tradition. His delivery, always urbane, suggests a comfortable familiarity with the material, even if the accent occasionally drifts across the Atlantic.

"French Style" stands as a curio in Martin’s expansive discography, often overlooked in favour of his more overtly Rat Pack-era recordings. Yet, it offers a revealing glimpse into his versatility and an appreciation for the enduring allure of French popular song. Rather than attempting to out-Piaf Piaf or out-Trenet Trenet, Martin simply applies his golden touch, turning Parisian cafe standards into urbane lounge fare. This approach ensures the album retains its charm, appealing to those who appreciate a relaxed, yet knowing, interpretation of these enduring melodies. It is a reminder that good taste, like a well-tailored suit, transcends borders and requires no exaggerated flourishes.