The Talented Mr. Ripley — cinematic still
The Gentleman's Canon

The Talented Mr. Ripley

Film · 1999 · Directed by Anthony Minghella · Matt Damon, Jude Law, Gwyneth Paltrow

Original interpretation — not a still from the production

The most beautiful film ever made about wanting to be somebody else.

The Continental Verdict

Essential

Minghella understood something most directors of this material miss: the horror is not the violence, it is the wardrobe. Ripley arrives in Italy in a borrowed jacket and spends the picture assembling a self out of other men's linen, other men's jazz records, other men's easy afternoons on the water. The Italy on screen — Ischia standing in for Mongibello, Rome in its last unhurried decade, Venice out of season — is filmed with the sincerity of a man who genuinely loved it, which is precisely why the corruption lands. Nothing in it is hurried. The betrayals arrive at the pace of a long lunch.

What stays with you is the sound: a bathtub, a scooter two streets away, Jude Law's laugh arriving before he does. Watch it once for the plot, then again for the tailoring and the light on the water, which is the correct way round.

Why Watch It

It is the definitive study of the outsider at the good table, and the finest advertisement for mid-century Italian summer ever committed to film.

The Gentleman Factor

Every rule of dressing well in heat is demonstrated here — and every rule of behaving well at another man's expense is broken.

Look Out For

  • Ripley's first jacket, and how badly it fits compared with Dickie's
  • The jazz-club sequence in Naples
  • Venice in winter — the antidote to every tourist photograph

The Locations

Ischia and Procida play Mongibello; the Roman scenes were shot around Piazza di Spagna and Palazzo Taverna. Both islands remain quiet in May.

More from the travel pages →

The Cars

The Fiat 600 Multipla and a Vespa doing more for Italian glamour than any supercar has managed since.

More from motoring →

The Wardrobe

Ann Roth's costumes are the syllabus: unlined cream jackets, striped seersucker, camp-collar shirts, sunglasses as punctuation. Note how Dickie's clothes look lived in and Ripley's look purchased.

More on style →

The Soundtrack

Gabriel Yared's score, plus Chet Baker's 'My Funny Valentine' — cross-referenced with the music pages.

Into the music room →

Watch Next

Where to Watch

Streaming on Prime Video and worth owning on Blu-ray for the colour grade alone.

For the Collection

Also in The Gentleman's Canon

ItalyTailoringJazzRiviera

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