Album artwork for Sketches of Spain by Miles Davis

Album artwork courtesy of the label

On the turntable

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The Grand Tour

Sketches of Spain

Miles Davis · 1960

Miles Davis and Gil Evans: A Spanish Impression

Why it matters

Miles Davis, ever the innovator, turned his gaze to Spain for this monumental 1960 recording, collaborating once more with the singular arranger Gil Evans. Following the success of *Miles Ahead* and *Porgy and Bess*, this third major orchestral project delved into the rich tapestry of Spanish folk and classical music, most notably Joaquín Rodrigo's "Concierto de Aranjuez". It was a bold departure from conventional jazz, embracing a soundscape that was at once deeply rooted in tradition and startlingly modern, with Davis's trumpet weaving through Evans's luxuriant orchestrations like a solitary voice across a sun-drenched plain. The album transcends genre, presenting a unified work of art that demands focused listening.

Recorded primarily in New York at Columbia's 30th Street Studio, *Sketches of Spain* became a landmark for its daring synthesis and emotional depth. It demonstrated Davis's profound respect for melody and his ability to convey immense feeling with the fewest notes. The meticulous arrangements by Evans are equally crucial, transforming source material into something new yet reverent. This is not simply jazz with a Spanish flavour; it is a profound musical journey that remains as captivating and moving today as it was over six decades ago, offering a sophisticated and evocative soundtrack for reflection and sophisticated contemplation.

The Continental setting

A late afternoon in Seville, 1962, as the sun dips below the horizon, enjoyed with a fino sherry and the contemplation of ancient mosaics.

Start here

  1. 01Saeta
  2. 02Solea
  3. 03Concierto de Aranjuez (Adagio)
No. 26 of the Continental 100

A masterclass in musical assimilation, offering a sophisticated sonic journey to the Iberian Peninsula, perfect for the discerning traveller of sound.

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